© Enrico Fiorese. Courtesy LE STANZE DEL VETRO / Seguso Vetri d’Arte, fox-terrier, vers 1947

And what about us? Glass animals from the Pierre Rosenberg collection

Where?
mudac - Musée cantonal de design et d’arts appliqués contemporains
When
From 24.04.2026 to 27.09.2026
Price
From
12 CHF

Featuring almost 350 glass animals from the collection of Pierre Rosenberg - an eminent art historian and honorary director of the Louvre - as well as pieces from his donation to the Musée du Grand Siècle, the exhibition sheds light on this universe, questioning our complex and ambivalent relationship with living things.

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Address

mudac - Musée cantonal de design et d’arts appliqués contemporains
PLATEFORME 10 - Place de la Gare 17
1003 Lausanne

How to get there

Schedules

From 24.04.2026 to 27.09.2026
Monday
10:00 - 18:00
Wednesday
10:00 - 18:00
Thursday
10:00 - 20:00
Friday
10:00 - 18:00
Saturday
10:00 - 18:00
Sunday
10:00 - 18:00

Plateforme 10 tickets - 1 museum, full price (adults aged 26 and over)

15 CHF

Plateforme 10 tickets - 1 museum, reduced price, adults aged 26 and over (AVS, AI, unemployed, students, apprentices)

12 CHF

Plateforme 10 tickets - 1 museum, under the age of 26

Free

Plateforme 10 tickets - 3 museums, full price (adults aged 26 and over)

25 CHF

Plateforme 10 tickets - 3 museums, reduced price, adults aged 26 and over (AVS, AI, unemployed, students, apprentices)

19 CHF

Plateforme 10 tickets - 3 museums, duo (visit for two, adults aged 26 and over)

38 CHF

Plateforme 10 tickets - 3 museums, under the age of 26

Free

Free admission on the first Saturday of the month.

Access
CFF train station: 3 minutes on foot
Bus 1, 3, 21, 60: «Lausanne-Gare» stop
Bus 6: «Cécil» stop
Metro M2: «Lausanne-Gare» stop

More info

The diversity of forms, expressions and behaviours attributed to animals reveals our curiosity and desire to understand wildlife, as well as our desire to control their representation and domestication.

Gathered by Pierre Rosenberg since the 1960s in a deliberately intuitive and subjective approach, these pieces bear witness to a fascination for animals in glass and the heritage of three generations of Venetian artists. They illustrate a creative freedom that oscillates between extreme stylisation and naturalistic meticulousness. Felines, birds, insects and fish appear stylised, frozen in the glass, but always imbued with a strong, singular personality.

With their myriad postures, these works reveal not so much the animal itself as the way we perceive it, grasp its characteristic features and shape its image. Transposed through the prism of our imagination, these animals leave their original form to inhabit our homes and become part of our everyday domestic life.

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