© Enrico Fiorese. Courtesy LE STANZE DEL VETRO / Barovier & Toso, Fox terrier, 1947

What about us? Glass Animals from the Pierre Rosenberg Collection

Where?
mudac - Musée cantonal de design et d’arts appliqués contemporains
When
From 24.04.2026 to 27.09.2026
Price
From
12 CHF

With nearly 300 glass animals, from the collection of distinguished art historian and Honorary Director of the Louvre Pierre Rosenberg, and pieces from his donation to the Musée du Grand Siècle, the exhibition sheds light on this fascinating world, questioning our complex and ambivalent relationship with living beings.

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Address

mudac - Musée cantonal de design et d’arts appliqués contemporains
PLATEFORME 10 - Place de la Gare 17
1003 Lausanne

How to get there

Schedules

From 24.04.2026 to 27.09.2026
Monday
10:00 - 18:00
Wednesday
10:00 - 18:00
Thursday
10:00 - 20:00
Friday
10:00 - 18:00
Saturday
10:00 - 18:00
Sunday
10:00 - 18:00

Plateforme 10 tickets - 1 museum, full price (adults aged 26 and over)

15 CHF

Plateforme 10 tickets - 1 museum, reduced price, adults aged 26 and over (AVS, AI, unemployed, students, apprentices)

12 CHF

Plateforme 10 tickets - 1 museum, under the age of 26

Free

Plateforme 10 tickets - 3 museums, full price (adults aged 26 and over)

25 CHF

Plateforme 10 tickets - 3 museums, reduced price, adults aged 26 and over (AVS, AI, unemployed, students, apprentices)

19 CHF

Plateforme 10 tickets - 3 museums, duo (visit for two, adults aged 26 and over)

38 CHF

Plateforme 10 tickets - 3 museums, under the age of 26

Free

Free admission on the first Saturday of the month.

Access
CFF train station: 3 minutes on foot
Bus 1, 3, 21, 60: «Lausanne-Gare» stop
Bus 6: «Cécil» stop
Metro M2: «Lausanne-Gare» stop

More info

Through the lens of more than 300 glass animals, the exhibition explores the complex and ambivalent nature of our relationship with living beings. The diversity of forms, expressions and behaviours attributed to the animals reflects both our curiosity and desire to understand our environment, and our wish to master its representation and domestication.

A film revealing Pierre Rosenberg’s palazzo in Venice has been specially produced for the occasion. The glass animals appear there in the environment they inhabit, that of their collector, who has taken care to position them in every corner of the architecture, so that they permeate the atmosphere of the place entirely.

By placing this bestiary within the museum - a space dedicated to preserving, classifying and exhibiting objects - mudac reinterprets the conventions of the display case in order to subvert them. The gaze shifts from the animal being observed to the human who observes it, revealing the very mechanisms that underpin our ambiguous relationship.

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