Useful information
Address
Photo Elysée - Musée cantonal pour la photographie
PLATEFORME 10 - Place de la Gare 17
1003 Lausanne
PLATEFORME 10 - Place de la Gare 17
1003 Lausanne
Schedules
From 28.03.2025 to 17.08.2025
Monday
10:00 - 18:00
Wednesday
10:00 - 18:00
Thursday
10:00 - 20:00
Friday
10:00 - 18:00
Saturday
10:00 - 18:00
Sunday
10:00 - 18:00
Plateforme 10 tickets - 1 museum, full price (adults aged 26 and over)
15 CHF
Plateforme 10 tickets - 1 museum, reduced price, adults aged 26 and over (AVS, AI, unemployed, students, apprentices)
12 CHF
Plateforme 10 tickets - 1 museum, under the age of 26
Free
Plateforme 10 tickets - 3 museums, full price (adults aged 26 and over)
25 CHF
Plateforme 10 tickets - 3 museums, reduced price, adults aged 26 and over (AVS, AI, unemployed, students, apprentices)
19 CHF
Plateforme 10 tickets - 3 museums, duo (visit for two, adults aged 26 and over)
38 CHF
Plateforme 10 tickets - 3 museums, under the age of 26
Free
Free admission on the first Saturday of the month.
Access
CFF train station: 3 minutes on foot
Bus 1, 3, 21, 60: «Lausanne-Gare» stop
Bus 6: «Cécil» stop
Metro M2: «Lausanne-Gare» stop
More info
This exhibition reveals the vast photographic collections of the Olympic Museum and Photo Elysée. The exhibition, which was unveiled at the Rencontres d’Arles for the Paris 2024 Games, explores a largely untold photographic heritage, offering us a narrative that shines the spotlight on sports photography.
The visibility given to sports events necessarily involves photographic imagery. Pursuing performance, combining effort with gesture, the practice of sports follows precise rules and is showcased when performed for competition. The staging of sports is relayed by photographers who position themselves around the stadium.
By exploring a largely unpublished photographic heritage, the exhibition reveals the visual grammar of sports photography through several themes: the mediatization that began in Athens in 1896; the technique that seeks to capture movement through freeze frames; the composition that influences visual narration and constructs the celebration of sports; the figures that take place in the stadium where athletes face a crowd gripped with emotions; and the photographers who use sports photography as pure documentation of achievement and others as an artistic means. The numerous focuses offer us a narrative that highlights sports photography and the Olympic Games in particular.
Part of the exhibition can also be seen at the Olympic Museum from May 27 to August 17, 2025.
The visibility given to sports events necessarily involves photographic imagery. Pursuing performance, combining effort with gesture, the practice of sports follows precise rules and is showcased when performed for competition. The staging of sports is relayed by photographers who position themselves around the stadium.
By exploring a largely unpublished photographic heritage, the exhibition reveals the visual grammar of sports photography through several themes: the mediatization that began in Athens in 1896; the technique that seeks to capture movement through freeze frames; the composition that influences visual narration and constructs the celebration of sports; the figures that take place in the stadium where athletes face a crowd gripped with emotions; and the photographers who use sports photography as pure documentation of achievement and others as an artistic means. The numerous focuses offer us a narrative that highlights sports photography and the Olympic Games in particular.
Part of the exhibition can also be seen at the Olympic Museum from May 27 to August 17, 2025.